Archives

May 2012

Should Pharma Go Culture Casting?

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by Carl Turner, SVP, Director of Insight and Brand Strategy, Palio

If 2011 showed us anything, it’s that the people have the power.

Marketing messages and buying digital advertising is still important, but companies today are using advertising less to promote their products and more to direct consumers to their Facebook or Twitter pages. With conversations taking center stage for extending brand messages, it’s time for pharmaceutical companies to go culture casting and find brand influencers to support them in communicating key messages.

Pharmaceutical companies have long relied on other people to pitch their products and tell their story. Key opinion leaders such as physicians who hold academic titles at medical schools often partner with pharmaceutical companies to speak at industry events or participate in detailing prescription drugs to doctors. Physicians have also long been the conduit of information for patients. But, with more individuals going online for health information, their role is changing.

Physicians will continue to play an active role in influencing decisions, but having a doctor endorse a drug or treatment is similar to a mother giving advice to a teenager. While parents are often right, it’s the peer group that holds the most influence. The same is true for communicating with patients; other people may be the most influential opinion leaders. Going culture casting and finding the most active patient participants can help influence public opinion in an authentic manner.

Pharmaceutical advertising has incorporated the stories of real patients to connect with customers. Smoking-cessation drug Chantrix has people sharing their experiences quitting smoking. Long Island Jewish Medical Center uses a narrator to tell the tale of real patient encounters. New York Columbia Presbyterian hospital features actual patients who are undergoing treatment or have overcome an illness thanks to physician expertise and state-of-the-art facilities.

Market research supports the power of peer influence. Tapping into the power of empowered patients can play a meaningful role in other’s health care decisions.

Why should pharma cultivate more brand ambassadors?

*There will be negative stories. Transparency is a must, and that means patients will be posting about procedures that went wrong or drugs that weren’t effective. Encouraging patients who had a more positive experience to post and share their stories can provide balance and perpetuate positive messages.

*Buzz builds buzz. An expert word-of-mouth network can support the launch of a new drug, foster discussion around new health guidelines, or raise awareness of a clinical trial. Getting people talking – whether that’s posting comments on your blog, retweeting messages or interacting with their followers and sharing opinions and views – can provide the support patients need to help them make informed decisions. And, the more influential and vocal an individual becomes, the more their network listens to them and turns to them for advice.

*People remember stories. People tuned into your culture tell the most compelling stories – which are much more memorable than marketing messages. That’s because people remember stories that elicit an emotion and it’s sometimes hard to differentiate marketing messages. Plus, as people develop a following, they build trust and their opinions tend to be valued.

The current pharma landscape still doesn’t offer guidelines for social media participation, but it’s not stopping patients from talking and influencing their networks. Going culture casting and enlisting the help of the most influential patients can help companies establish an online presence, inform people of an unknown disease or treatment, elicit hope or provide support to patients and improve disease care.

What are you doing to engage patients and get people talking?

Palio is an advertising agency revolutionizing pharmaceutical and healthcare marketing to create experiences that will Never Be Forgotten.

 

(Image credit: biojobblog.com)

Why Rotating Team Members is a Good Thing

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by Paul Johnson, SVP, Managing Director of client Services, Palio

If you work in an agency environment, one of the big bits of conventional wisdom you learn, early on, is that clients don’t generally like change. And if you work on the client side, there’s a corollary that changes in your agency team are almost never a good thing.

Conventional wisdom is easy to rattle off because… well, it’s conventional. But is it wisdom? There’s plenty of evidence that rotating team members is a good thing.

It brings a fresh perspective. Just like clients, sometimes members of an agency team can get too close to the product or service being promoted. This is especially true on large accounts, where writers, publicists and other mid-level personnel may be working for a single client on a full-time basis. Yes, swapping in new personnel means spinning new people up on the account’s worldview, challenges and opportunities – but it also means new ideas – and many more chances for the sort of “Aha!” moments that can move a marketing program forward by leaps and bounds

It prevents rock-star syndrome. There’s always a delicate balance in agency-client relationships. On the agency side, we want to deliver great, remarkable results – the kind that demonstrate, every day, that no one can serve our client better than we can. On the other hand, all that service cannot rely on a single rock star employee – whether it’s someone who knows the industry better than his or her peers or someone who simply “gets” the client’s concerns at a deep level.

Everyone likes rock stars – but what happens when they have a falling out with the client? Or want to continue their career elsewhere? Or just come to you one day wanting a change of pace? Rotating fresh talent into client teams – from the beginning and as part of the mutually understood dynamic of the agency/client relationship – largely inoculates you from the rock-star conundrum. Clients win because their projects and ongoing results become robust and resilient, less dependent on a single individual. And agencies win because staffing disruptions, which happen in even the best and most stable organizations, don’t hurt client results.

It helps build a farm team. Today’s account executive, fresh to the industry and persistently busy putting together tactical plans in the back room, is potentially tomorrow’s vice president, responsible for millions of dollars in billings and game-changing results for clients. It’s in everyone’s interest – client and agency alike — for him or her to get out of the back room and get some experience.

Granted, some clients are wary of having new, inexperienced personnel on their account – note the phrasing there: New and inexperienced. Savvy agency managers are also great coaches, constantly building up their staff’s skills with gradual, managed increases in responsibility. Showing your client that this type of ongoing training and growth are part of your culture – and part of what helps you deliver results – goes a long way to alleviating concerns.

In the end, the advantages of a planned rotation of talent outweigh the potential downsides for all concerned. Clients need to consider the potential that new perspectives can bring, and agency managers need to think beyond a reflexive worry that all change is bad.

Palio is an advertising agency revolutionizing pharmaceutical and healthcare marketing to create experiences that will Never Be Forgotten.

 

The Life and Death of Ideation

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by Guy Mastrion, Chief Global Creative Officer, Palio

Some of the many things we tend to do with our global creative raves is to always try to bring fresh voices into the room, find fresh locations, tear down barriers and fail rapidly through hundreds of ideas until we succeed. And then, with a smaller portion of the group actively debating and editing the ideas, we push harder and deeper until we arrive at a set of discreet ideas. This is a lot of heavy lifting for the people involved, and one of the key aspects of making brainstorming work is to create a safe environment that encourages the rapid failure and spontaneity needed to spark fresh ideas.

But also there has to be a method to the madness.

Critical thinking is essential to success. An open critique that pressure tests the ideas through effective moderation of a strategic discussion is always needed. Effective critique is a lost art. Too often misunderstood and mislabeled as negative thinking, critique – when understood and harnessed as essential to the evaluation and elevation of ideas – plays a key role in all aspects of business, not just ideation. If the groups are a relatively small (10-15 people), then I think open critique can be effectively moderated. If your group is bigger than this, select a smaller, cross-sectional subgroup as your critical thinkers.

When brainstorming fails, when ideation fails, they can fail for countless reasons, many more reasons than those that exist to support why they succeed. There is a fine balance that is very difficult to maintain. Ideas are fragile things that are often doomed before they even begin to live due to the many, ultimately oppressive things an idea must overcome.

Some of the more common bailey wicks include briefs that are unclear, with too many objectives or key communication thoughts, making it near impossible to judge the success of any given idea. This problem is a sure sign the brief has become a parking lot for failure.

Ideas can also suffer from a lack of alignment across team members, where personal bias and opinion, no matter how worthy or potentially insightful, conflict with the tenets of the brief (assuming you have a solid brief).

Ideas also suffer from their own complexity, or I should say from becoming more complex. In a brainstorming session, it is easy to lose the big ideas.

Let me explain. Big ideas very often at first seem quite small and are easily overlooked. A word and a picture, one or the other, sitting alone on a big white sheet of paper can be the most fearsome of ideas. Other ideas, by comparison, can seem bigger at first because they have more going on they seem more dynamic, when in fact, they may simply be loaded down with what amounts to little more than window dressing. These are complexities and complex ideas most often have much less ability to be plastic. What do I mean by plastic? It’s the ability to be moldable, to move with your brand, and more important with how your consumer perceives, experiences, and ever more – communicates with your brand. So, the thought of big ideas being plastic is something to keep in mind – this is just one word to help describe a potentially big idea. It’s not the only word. The point is that a simple idea is an elegant solution. The simple idea – the big idea – is an idea that grows in meaning, depth, and definition the more it is used. When we work up a potentially big idea through our 360 worksheet, it is not limited by this exercise, but is expanded as a result of it. Lesser ideas reveal their vulnerabilities as a result of this exercise.

Ernest Hemingway said something about writing that I think applies to all creativity, “We are all apprentices in a craft where no one ever becomes a master.”

Coming up with the big idea is not easy, nor is it any easier to recognize the big idea when you see it. This is one less obvious reason why time is such an important factor in creativity. The big idea might be the first idea you come up with, but it might also take days of ideation to see its true value.

If we approach our every day as a brainstorm, days lived without fear of being “wrong,” where failure is understood as part of a larger success – working together – we would more easily and consistently craft work of lasting value.

Highly functioning, idea-driven companies are built on this culture. They also have discipline and order and process and financial goals, but those things are all used to support the creation of a great product and not as rate limiting factors. When these instruments of any successful business become the business itself, then no manner of ideation will ever be truly and consistently successful.

In the end, culture trumps strategy, process, execution, and ideation. Even the most skillful and creative brainstorm session will fail to deliver success if the culture of the company (or teams involved) is not built on an open mind with complete alignment on the goal to be achieved.

Palio is an advertising agency revolutionizing pharmaceutical and healthcare marketing to create experiences that will Never Be Forgotten.

 

 

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